“‘Stories of art’ are produced through the curatorial process of
selection, juxtaposition and interpretation of art as exhibitions and
‘permanent’ displays. These processes affect not just what the visitors
see but how they are encouraged to construct meaning and understand
their experiences. Additionally, catalogs and other exhibition
publications enable curatorial decision-making to be disseminated far
beyond visitor communities.” (Robbins, 2005).
" Curating
in the field of education requires these same attributes as espoused by
Robbins – selection, juxtaposition, and interpretation – with different
content: that which is to be learned. The authors contend that curation
of curriculum should be the story of selected content, which provides
learners with opportunities to experience or view differing
perspectives. The “permanent display” of educational curation allows the
learner limitless opportunities to re-view and re-experience the
multiple perspectives, with the ability to construct meaning each time
the content is experienced. " (Stokes, Donnell, Eaton, Sherman, in press)
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